067. How to Stay. Justine Anjanique Jordan

Look for shade, preferably a tree near a river. Remember to bring a sewing kit – a case with one long needle and a spool of thin wires. Stitch your right palm onto the sole of your left foot. Do the same with their opposites.

At first, as you pierce the sole of your foot with the needle, you will see blood oozing from the hole. The sting will weigh you down because of the breeze. But you should know that the breeze is only there to calm you, so that you can keep on stitching. Sole against palm. So you do.

You will do so with skill. Trembling fingers and loosening teeth. As you press the needle deep into the heel, you will manage to bring it back to the surface, after the needle’s point has touched your heel bone.

The wind also caresses the dying leaves of the tree you sit under. Some of them will fall on your head as it sweats in nervous awareness. Some on your bare back, also covered with bulbs of sweat. Some on your hand, covered in broken bulbs of blood.

You will struggle to keep your rapid heart from collapsing. Yet, you will collapse. Several times. While stitching your bloodied fingers onto the powdery sole of your foot, only to awake in a state where your heart will be beating or pouncing at your lungs. You will observe the rush of the river, moving downstream. It will mingle with the sea, and you will observe that your tongue feels dry.

But you will manage to stitch all ten: your right hand with your left; your left hand with your teeth. Even your tongue and gums bleed from this exercise. But it will pay off soon.

It will pay off once you un-stitch yourself there: under the tree, near the river, amid the breeze. It will pay off once your tongue and gums cease to bleed, and your teeth are ready to pull the wires gently from your skin. It will pay off once you sit calmly despite the nagging ache all over your dripping body.

Only then will you realize what it is like to remain.

Maintain your focus on the river.

066. From Where She Sat. MJ Iuppa

Late afternoon, too humid to move quickly, a terrible storm rolled in and toppled her ruffled peonies; and, after the air cooled, she sat in the shadows facing the lake, staring at the bleed of sky and water. The ice in her rocks glass cracked when she’d swirl her gin and tonic; thin wedge of lime, like her mouth, turned down, and her big diamond, like an anchor, scrapping the bottom. So much to hang on to, but nothing held her steady. Her daughters made her into a cruel joke to their father. She heard them fighting over her ring.

065. The Neighbor. Lindsay Shortliffe

I never paid much attention to the eucalyptus across the street. Its trunk was but a piece of visual landscape in the dining room picture window, an object that I stared through more than at, while sipping morning coffee. The girls and I walked by the massive column on the way to the park. Its bark, a watercolor of cinnamon, gray, honey, and mahogany, hung in curling sheaths as the tree shed another skin. Kayla, the eldest, is unamused by any tree whose branches fail to reach down, beckoning her to climb, but Mila’s fresh eyes of discovery still found intrigue in the line of ants that scaled its roots, as she traced their march until they disappeared into the darkness of a mounded colony entrance. Intrigue fades fast for a two-year-old though, and soon we would be on to the grassy fields beyond, the trunk forgotten.

I couldn’t have told you the height of the tree. I never stood at its base looking up at the canopy of sickle shaped leaves and gumnuts. Its mighty branches, stretching skyward, didn’t exist to me. I never reached my arms around its base to consider how many embracing bodies it would take to encircle its girth. I never thanked it for the shadows it cast across the front yard in summer heat when the sun seared, nor noticed the soft earthy perfume released from its leaves crunching beneath my feet. It lived ten yards from my front door, but I never acquainted myself with it or considered the intimacies of our relationship.

The SUV is crushed beneath the tree’s limb. Shattered glass fans out around the car, and the metal twists and curls, looking no stronger than the tree’s peeling bark. The limb stretches across the car and onto the front lawn where the children’s bubblegum colored scooters were haphazardly discarded mere moments before the branch’s plummet. I clutch the girls tightly in my arms, shaking from the nearness of tragedy, unable to keep images of their crushed bodies from my mind. A crowd of neighbors has gathered round, having come running at the sound of exploding glass and thud of mass hitting the ground. Murmurs of concern hover in the air. Thank goodness no one was hurt. That branch is huge! What makes a tree drop a limb? It’s not windy today. Was there a warning? We gather beneath that tree all the time.

For the first time, I look up.

063. Vita Sackville-West Lover of Virginia Woolf: A Monologue. Natascha Graham

I drove a different way, the last time, taking a road that turned out not to be a road at all, wherein I mean it began as a road and then abruptly melted away so that there I was rolling over the South Downs where I thoroughly startled a young man who had a moustache like a walrus and a puppy with eyes like a seal, who buried itself down in the grass with the butterflies, and watched my giant blue ship of a car lurch by on the way to see you, Virginia, whom I could see picking mulberries from the tree at the end of your garden, appearing every now and then in the distance as I rose over the rise of each hill.

Seeing you, from a distance, gives a sensation of the same family as that which you experienced when you wrote to me last November, when everything was white and the hedges looked as if they had grown old in the night, and everything glistened and was still, like Sleeping Beauties park, and you had that knowing that I had been but five minutes earlier in your bed, intertwined and naked, with the night sky between the curtains, the stars getting bigger and bigger and odder and odder, and the firelight flickering on the ceiling.
Now, it has been snowing again. Snow means such special things to me. It means the fat plop plop as it is shovelled off the roofs and falls into the courtyard below whilst I watch how fitfully you sleep. It means the strange melancholic halloo by which the deer are called to be fed, and which brings them bounding from all corners of the park whilst you and I hide, luminous and remote and irresponsible, beneath the old oak trees. It means these things in an intimate way, like the ticking of the clock in one’s own room means something; and is part of one. Now, without Virginia, life without Virginia, Vita without Virginia. Now there is only slush.

And, after five months of solitude I am still no longer a person, but a rag-heap for other people to pick over, a straw whirling down a drain, and I find life altogether too intoxicating in its pain.

I must tell you, my darling Virginia, that I wrote to Harold suggesting that I might have saved you, if only I had been there and had known the state of mind you were getting into.

Harold says I am probably right.